The project is located in Guangming District, Shenzhen city, China. Considering that the planning of Guangming District emphasizes a green city development mode with low impact, the designers suggested that the building set an example to implement the concept. This design intended to break the conservative Taishi Chair-like spatial pattern, with a view to bringing a new image and injecting vitality into the government architecture. The flexible curved plane of the "mountain" creates a relaxing atmosphere.
Pam is comparable to a puzzle, every of its part is inimitable. Each leg, arm and back rest element is singularly carved, assembled and honed manually, conducting a seamless design. Through this production process, every element is a character of its own, making Pam a case of sui generis and giving an overall harmonious look. The lamellar structure of the palm leaf served as inspiration for the distinctive design of the Pam chair and its name.
Strait Culture and Art Center covers an area of 143485.78 square meters with a total construction area of 152601.48 square meters. The architectural inspiration that derives from the city flower of Fuzhou Jasmine flower. These jasmine petals are arranged along the riverside in a fan shaped composition and form an urban sculpture and an image of the Jasmine Flower.
Architects initially tried to use symbolic architectural language to establish a connection with the historical environment. In terms of layout, the water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the water drop shape more intuitive in front of the eyes. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees.
The architectural form replicates the direction of the mountain and lake, and is rotated and dislocated on the second floor of the building to form an 18-meter-long viewing platform, which outlines a highly sculptural form with natural and flexible curves. The arc-shaped exterior wall is like a blank canvas, and with the technique of white space, nature becomes the creator of architectural picture scrolls. With the simple and elegant tones, the charm of light and shadow are intertwined, which together outline a simple and pure world.
The designer carries out the second creation by extracting, analyzing, and abstracting the shape of Ruyi to express the contemporary design with new materials and construction methods. In this construction, a steel structure is used to make a curved shape. The entire facade is covered by white aluminum plates with each plate processed into curves with different arcs through precise calculations. They are perfectly spliced to form a streamlined shape, forming a sense of modern technology and creating the charm of Ruyi. Every design detail is so fully displayed.